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V/A- WELCOME HOME/DIGGIN' THE UNIVERSE- LP / CASSETTE -----> OUT NOW!!

"It's true--the sons and daughters of Homestead, Xpressway and first-wave Drag City (et al.) are now making good music. The '60s, '70s, '80s, '90s and '00s are all there, bound together by shitty tape machines, reverb and easy chord changes, but melody is back and so is the joy of jamming a perfectly mangled pop song. Welcome Home might hit some new kids the way Human Music or Nuggets did back in their day. In any case, it's one of those rare compilations you can play straight through and over again." --Glenn Donaldson

All tracks (excepting WHITE FENCEs The Love Between) are exclusive to this release.

LP= $15 postage paid in the USA
Cassette=$8 postage paid in the USA

ORDER HERE








WOODS-"At Echo Lake" CD/LP/CS -----> OUT NOW!!

LP= $15
postage paid in the USA
CD= $12 postage paid in the USA
Cassette=$8 postage paid in the USA

ORDER VIA PAYPAL BUTTON

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LP VERSION INCLUDES FREE DOWNLOAD COUPON!!!

"With a title like At Echo Lake the fifth album from New Yorks Woods intimates a modern rock aesthetic fully informed by historical manifestations of teenage along with a concomitant feel for the specifics of time and place. The distance between 2007s At Rear House and 2010s At Echo Lake may at first seem only semantic but it more properly represents a move from a kind of informal back porch jam ethos to a fully-committed vision of the infinite possibilities of group playing. Over the past few years Woods have established themselves as an anomaly in a world of freaks. They were an odd proposition even in the outr company of vocalist/guitarist/label owner Jeremy Earls Woodsist roster, perpetually out of time, committed to songsmanship in an age of noise, drone and improvisation, to extended soloing, oblique instrumentals and the usurping use of tapes and F/X in an age of dead-end singer-songwriters. Recent live shows have seen them best confuse the two, playing beautifully-constructed songs torn apart by fuzztone jams and odd electronics. At Echo Lake feels like a diamond-sharp distillation of the turbulent power of their live shows, in much the same way that The Grateful Deads Dark Star single amplified and engulfed the planetary aspect of their improvised takes. Some of the material here the opening Blood Dries Darker, the euphoric Mornin Time is so lush that lesser brains wouldve succumbed to the appeal of strings and horns but At Echo Lake is more Fifth Dimension than Notorious Byrd Brothers, nowhere more so than on From The Horn, a track that is as beautiful in its assault on form as Eight Miles High or Swell Maps Midget Submarines. But despite the instrumental innovation that the album heralds G. Lucas Cranes psychedelic tapework on Suffering Season, guest musician Matthew Valentines harmonica and modified banjo/sitar on Time Fading Lines At Echo Lake is all about the vocals. Woods secret weapon is the quality of Earls voice, osmosing the naive style of Jad Fair, Jonathan Richman and Neil Young while re-thinking it as a discipline and a tradition. Here he is singing at the peak of his powers, in a high soulful style that is bolstered by heavenly arrangements of backing vocals. At Echo Lake feels like the transmission point for teenage garage from the past to the future. Deformed by contemporary experiments, bolstered by magical traditions from the past, its the sound of now, right here, At Echo Lake."

-David Keenan/Glasgow/March 2010







WHITE FENCE- S/T- CD/ Digital  -----> OUT NOW! CD= $12 postage paid in the USA
 
ORDER FROM ITUNES

Wander into the sweltering Cali smog to find yourself transported into a lysergic pop netherworld, where White Fence carves broad strokes of color into your mind. Coming on like Love in a Lollipop Shoppe, or Chris Knox abusing a Vox, the record oscillates between a sun-dappled English meadow, a crumbling SoCal suburban bedroom, and a riotous Sunset Strip leather gang knife fight, with the kind of warped precision and purity that marks the wolves from the sheep and the profound from the pretend in this instant online age. You know what I mean.
 
 "White Fence is one man, Tim Presley, singer in garage-soul band Darker My Love, player on The Fall album Reformation Post TLC and now full-time member of The Strange Boys. Amid all this band-hopping, he's managed to record an LP of lysergic psychedelic songs (think: Arthur Lee without the budget and the guns)."--Joel Wright

http://www.myspace.com/whitefenceband







MOON DUO- "Escape" Mini LP/CD (WOODSIST038)---> OUT NOW! CD=$12ppd  LP= $15 postage paid in the USA

San Franciscos Moon Duo was formed in 2009 by Sanae Yamada and Erik Johnson (Wooden Shjips). Inspired initially by the legendary duo of John Coltrane and Rashied Ali, Moon Duo counts such variant groups as Silver Apples, Royal Trux, Moolah, Suicide, and Cluster as touchstones. Utilizing primarily guitar, keyboards, percussion and vocals, the duo plays space against form to create a primordial and disorienting sonic stew. The group released two acclaimed records in 2009: the debut 12″ single, Love on the Sea, on Sick Thirst, and the Killing Time EP on Sacred Bones. Their follow-up long-player, Escape, on Woodsist, marks the fullest realization yet of the young groups evolving sound.

http://www.myspace.com/moonduo






ART MUSEUMS- "Rough Frame" CD/LP (WOODSIST037)--> OUT NOW! CD=$12ppd  LP= $15 postage paid in the USA

The Art Museums tell sordid tales of artists, lovers & poseurs with cult new wave jangle. Bay Area psych burnouts, Josh Alper & Glenn Donaldson (Skygreen Leopards) converged in San Francisco in the Summer of 09 to record Anglophile jams on a Tascam 388 tape machine (state of the art home-recording circa 85). Rough Frame is their debut LP for the Woodsist label. They would make a hi-fi studio record if they had the money, but reviewers would probably still say it was lo-fi. The Art Museums ARE into: art, poetry, WHAAM records & films about ModsThe Art Museums ARE NOT into: flared trousers, drip coffee, dirty sneakers.

http://www.myspace.com/theartmuseums








WOODS- "I Was Gone"- 7" ep (WOODSIST041)--->OUT NOW! $7.00 postage paid in the USA

"Guess this new WOODS EP is a more unconscious approach to the written song. A side is a 3-part tape collage/head scratcher called Days Gone By.' B side features new easy breezy psych rock single, 'I Was Gone' and the drugged out tribal child, 'Hang On.' Its crunchy. Take with some honey slides"TM

limited/ one time only pressing of 1,500 copies







EAT SKULL- "Jerusalem Mall" 7" (WOODSIST036) --->OUT NOW! $7.00 postage paid in the USA
don't put baby in the corner.  Jerusalem Mall is a newer Christmas time jingle for these hopeful times. 
Backed with 2 Sick to Death outtakes unavailable on vinyl till now.  no one puts baby in the corner.
Full color glue pocket sleeve





THE FRESH & ONLYS-"Second One to Know"- 7" (WOODSIST035) ---->OUT NOW! $7.00 postage paid in the USA
"Second One To Know" b|w "Hated or Loved." Recorded Spring 2009.
Both tracks taken from the super limited "Bomb Wombs" cassette on Fuck It Tapes.
Full color glue pocket sleeve. Two of their best songs yet!







REAL ESTATE - Self-Titled- CD/LP (WOODSIST034) ----> OUT NOW! CD=$12ppd  LP= $15 postage paid in the USA

"Real Estate waft in on vibes of hazy summers past.  The New Jersey quartet of Martin Courtney IV, Matthew Mondanile III, Etienne Pierre Duguay and Alex Bleeker cut the sleeves short and the pop smooth to shade you from the midday heat.  Every song works its way to that part of your consciousness that reveled in the fleeting waves of freedom that eked in once classes broke and the sun lingered a little longer over suburban roofs. And with three quarters of the band holding down Garden State roots its no surprise that a bit of Jersey indie-pop heritage sneaks its way into their sound, lifting the most sun streaked moments from The Feelies and Yo La Tengo and filtering them through the kaleidoscope of memories aimless drives through parched neighborhood streets.  Martin Courtney's songwriting has a way of wrapping up the immediacy of youth with the ennui of age for the perfect shade of bittersweet bliss, mind you though, much heavier on the sweet than the bitter. Add to this Mondanile's (Ducktails/ Predator Vision) shimmering guitar strains full of equal parts sea foam and beer foam, pepper in the boardwalk clatter of Duguay's drums Bleeker's staccato low end and the perfect afternoon is just a lawn chair and boom box away."-Andy French / Raven Sings The Blues









THE MAYFAIR SET- "Young One+ Self-Titled 7inch" CD (WOODSIST033) ----> OUT NOW! CD=$10 postage paid in the USA

Debut Release from members of Blank Dogs and Dum Dum Girls. Includes 7" and 12" EP.









THE FRESH & ONLYS- "Grey-Eyed Girls" CD/LP (WOODSIST032) ---> OUT NOW! CD=$10ppd  LP= $15 postage paid in the USA
When Tim Cohen told Shayde Sartin he was writing a song called "Be My Hooker," the Fresh & Onlys bassist looked at the singer/guitarist and said... "'There's no way we're gonna have a song with that title, dude,'" explains Sartin. "But sure enough, he laid a riff down and I was like, 'Jesus christ, I can't believe you pulled something meaningful out of such a stupid line.'"  Welcome to the push/pull dynamic that's fueled the Fresh & Onlys' steady stream of releases over the past year, including last spring's self-titled LP (Castle Face) and this fall's Grey-Eyed Girls (Woodsist). And to think it all started the old-fashioned way—with Sartin and Cohen simply hanging out after work, playing their favorite punk (Buzzcocks, The Mekons) and classic rock (Country Joe and the Fish, cued up alongside slabs of psych from the group's homebase, San Francisco) records alongside a growing collection of empty beer cans. "I can't really explain what happened or why," says Sartin. "I guess we listened to records until we were on the same page, and from that point on, we never stopped recording." As simple as all of that sounds, the duo first bought a tape machine five years ago. When that failed to produce any concrete cuts, Cohen focused on his previous avant-pop band, Black Fiction, and Sartin split his time between session and live work for such bands as the Skygreen Leopards, Papercuts and Citay. Not to mention his close friend Kelley Stoltz, who ended up releasing the first Fresh & Onlys 7" (the limited Imaginary Friends EP) in early 2008. With so much music hitting shops in such a short time (Sartin says the band already has boxes of backlogged tapes), you might think the Fresh & Onlys camp have a problem with quality control. Quite the contrary; Sartin and Cohen are very careful about what they release. And while the duo writes and records the band's songs, the arrangements are usually  fleshed out with guitarist Wymond Miles, drummer Kyle Gibson, and backup singer Heidi Alexander. "If we take a song into the studio or a live setting and it doesn't have wings," says Sartin, "Then we just ditch it and keep the charming demo version." The final mix of Grey-Eyed Girls sounds like a natural bridge between the raucous garage rock of the group's debut and the full-on studio record they plan on wrapping for In the Red later this year. That goes for the galloping grooves of "Happy To Be Living," the shadowy post-punk of "Invisible Forces," and the firework finale freak-outs that drive "The Delusion of Man." Not to mention a stack of hook-slinging tracks that nix any 'shitgaze' assumptions you may have. "We're not trying to hide melodies or do the blown-out thing," says Sartin. "A lot of those bands are great, but I don't want to ever cater to what's popular. It's not that I'm being reactionary; we're just trying to make recordings that are as rich and ear-friendly as possible." It's working.





METH TEETH- "Everything Went Wrong"- LP (WOODSIST030) ---> OUT NOW!  LP= $15 postage paid in the USA
"Meth Teeth reside in Portland OR. and in some ways embody the rainy day big country vibe of the city with its youth culture dreamers, old druggies, and rustic history. There is something that is really hard to pin down about Meth Teeth, the songs rely on simple ramshackle rhythms, upbeat shinny guitar interplay, and big fat chord churners, and alot of tambourine banging away on the snare drum. Ultra catchy summertime rockers keep you sad and lonely, and upbeat and hopeful all at once."---Shawn Reed/Night People






FERGUS & GERONIMO- "Harder Than It's Ever Been" 7" (WOODSIST027) ---->$6.00 postage paid in the USA --->BACK IN STOCK!

Fergus & Geronimo are Jason Kelly and Andrew Savage. You might know them from Wax Museums and Teenage Cool Kids respectively. What started as a recording project between friends has manifested into another extraordinary addition to the Denton, TX roster of current bands. Upon first listen, one can instantly recognize these two lads are intimately familiar with their influences. Never mind the psychedelia, this is straight pop, no bullshit. Debut vinyl release.







GANGLIANS-"Monster Head Room" CD (WOODSIST031) ----->OUT NOW -$12 postage paid in the USA

all-over-the-map damaged-and-psychedelic noise-pop. 11 tracks in just under 50 min

"This album is pure naive headphone acid pop to drive to, at least that's what was going through our heads."- Ganglians







PSYCHEDELIC HORSESHIT
- "shitgaze anthems" 12"
(WOODSIST023) ---> $10 postage paid in the USA

"After about a 2 year absence, Psychedelic Horseshit is back with an EP of alleged B-sides from an upcoming full length..."I only listen to OK Computer and Cranes. The Fall sucks, DIY sucks, we suck, you suck." said Matt Horseshit in a recent interview."Why should anyone listen to you then?" replied the reporter."Because we're FUN, duh." And even though you wanna hate 'em, you gotta admit, they kinda are fun. Matt is a dick, of course, and Rich is hilariously clueless mostly, and by all means most of the stuff on this SHITGAZE ANTHEMS EP should'nt work, whether it be the white-boy dub section, the cliche acoustic ballad with backwards guitar, the blatant Dylan rips, or the overall amateur playing, but for some reason these elements that usually reek of pretention and failure actually endear you to the band and their songs. Yes, they're called Psychedelic Horseshit. Yes, they do suck, but I'll be damned if they aren't one of my favorite bands in the world, and they're only getting better, but if I tried to tell you why it'd only make 'em sound worse. So it goes..."- matt horseshit





GANGLIANS- s/t- LP (WOODSIST028)--->$12 postage paid in the USA

Sacramento's Ganglians want an island somewhere where they can soak in the sun and prowl the canopy by night. It's not often that they do get out, but they can get down for that. Recording sometimes as one, sometimes as four it's a real game to figure out where the entity comes from and where it's going. First and foremost it's about uncertain pleasures. It's a bit like choose your own adventure. There's "codeine balladry"; a slightly upsetting tempo that is quickly flushed into an aural high, the next moment you're in the toy strewn abyss of the bedroom and then out to the tribal caves of the natives. The planets align and the sun beats down, palms tingling, and you are on the island they've built, the scenery constantly shifting for a better view, of you. 8 tracks in 24 min





THEE OH SEES- "tidal wave" 7"(WOODSIST026)----> OUT OF STOCK. more soon

"Well what can I say about Thee Oh Sees this year that I haven't already said, Dwyer is owning '09 and the tide's not poised to stop here. Dwyer's got a way with the strings that seemed to have died with the early 60's, that kind of joyous ring that first gave people the unmistakable itch for the electric guitar. From the first notes of "Tidal Wave" the itch is in effect and then the yelps come in to seal the deal. Prime Oh Sees, how can you say no to that?"- Andy French/raven sings the blues








WOODS- "Songs of Shame" LP (WOODSIST025) ----> ------->LP= $15 postage paid in the USA

The fourth full length by Woods, Songs of Shame, rips deeper with both 90 second and 10 minute
forays into skeletal psychedelia. This is not to say their idiosyncratic songwriting style & vocalizing
is not present in spades but expanded, colored, and twisted into a tie-dye of soundscapes. Road worn,
windblown, and deeply grooved. Full color matte jackets with printed inner sleeve.





KURT VILE- "Constant Hitmaker" LP (WOODSIST024) ----> ----->LP= $15 postage paid in the USA

Philadelphia lo-fi bedroom psych singer/songwriter. Originally released on CD in 2008 on Gulcher Records
"oh snap, here it is, finally out on the wax, kids! the first official collection of Kurt Vile’s brand of space pop music that “started it all” for him (if you will): a bunch of his favorite tunes from his out-of-print, self-released cdrs, other exclusive cuts, and one studio smash hit called “freeway” (voted  #1 song of ’08 by many all over cybertown/talked up in the real-life streets by tons!) all lumped together onto one sweet and shockingly cohesive full length album. first released as a cd-only thing on gulcher records, and now brought to you on sweet, sweet analog -the way God intended music to be heard – vinyl. hand picked pop gems, acoustic psyche-strummers, and finger-picked heart breakers from the bedroom of philly’s constant hitmaker. much gorgeous analog synth to boot! kv-stylized, of course. .. " -Tough Critic, on cnstnt htmkr
 
“yeah, you can call this my first official album. the obvious reason being it was my first thing to be released on an actual ‘label.’ but another, way better, reason is that i feel these tunes have accumulated overtime in such a way that they were merely waiting around in a psychic fashion; to be sequenced together here: now happily wed in psychedelic bliss forever.” -Kurt Vile looks back.
 
"kurt vile is the nom de plume of philadelphian kurt vile (!) whose shimmering home recordings reflect the artists admiration of everything from delta blues to the minimalist agro of suicide, the downer psyche of 39 clocks as well as the skiffle hum of strapping fieldhands. in other words, a real globe trotter. kurt has shared bills...as well as wiped the floor...with the likes of blues control, pink reason, clock cleaner, times new viking, magik markers, to name a few. this is his debut release. lend him your ears." - - tom lax, siltbreeze







BLANK DOGS- "The Fields" CD (WOODSIST021) ----->CD= $5ppd

7 song Mini-LP.

"BlankDogs are actually singular: It's the insanely prolific one-man
Brooklyn-based band of Mr. Blank Dog. We don't know too much about the
biography of the guy behind the bedroom new-wave pop/punk and he's
usually covering his face with masks or bedspreads, but that's fine.
The aura of anonymity allows you to focus on the sounds -- and,
really, he might be releasing a ton of things, but there's definitely
a higher jam to crap ratio. It's like Joy Division vocal lines with
the Cure's synth and guitar melodies filtered through ancient
submerged keyboards and eroded recording equipment. And that voice?
All the feedback in the world can't hide his knack for melody." -stereogum





WAVVES- s/t- LP (WOODSIST022) ------->LP= $10 POSTAGE PAID. SALE!! HAVE A FEW COPIES WITH MINIMAL CORNER DAMAGE

lo-fi beach punk anthems by San Diego's Nathan Williams. beautiful
timeless melodies on top trash can guitars and blown out drums.14
tracks in 35 minutes. follow up full length to be released by De
Stijl.





MAGIC LANTERN- s/t - LP (WOODSIST019) ---->BACK IN STOCK. ---->LP= $15ppd

"MagicLantern came into being at the mid-point of the decade, sparked
into existence by a simultaneous period of musical discovery for Philip
French, William Giacchi, and Cameron Stallones. Inspired by the
psychedelic approach to musical tone and structure in various eras and
genres of rock (not at all excluding Germany and Japan in the '70s), the
three realized they ought to make use of the new creative tools they'd
stumbled upon, and began jamming the summer away in twin poles of Long
Beach and Whittier, CA. Over the course of a year they recorded every jam
and compiled a full-length's worth of home-studio demos which later became
their self-released CD-R. At the same time, each member was developing
solo and side projects to channel parallel universes of sound. A year
after their first jam together, MagicLantern decided to make the leap to
playing live and recruited good friends and like-minded musicians Chip
Knechtel and Gavin Fort to be their marathon rhythm section. The jams from
their CD-R were used as the blueprints for the band to develop a raw,
stripped-down sound that emphasized hypnotic rhythms and improvised guitar
duels. After being invited to play at the Tee Pee Records showcase
"Manifest Destiny" in August of '07, th' Lantern kept up a steady diet of
shows in LA and Long Beach for the next year, earning a local following
and two highly limited tapes on Not Not Fun Records. Through the spring of
'08 they began writing new material as a band and developing the new songs
live. In the summer they recorded these jams with sound wizard Bobb Bruno,
which led to the Not Not Fun LP High Beams that September. At this point
the band had fully emerged from transition into a shared creative vision
of five musicians, each possessing a singular voice, all united in the
common goal to engage both mind and body through good vibrations."






SUN ARAW- "Boat Trip"- 12" (WOODSIST018) ----> $15ppd

Boat Trip might be some hidden soundtrack to Donkey Kong warp-whistling straight into Ayahuasca Country. In about twenty minutes Sun Araw manages to navigate a psychedelic jungle cruise through canopy din & spooked drone, then he noses the boat out of the water and lifts into uncharted dub-spheres. The back half of this entranced tour is like being (fortunately) trapped inside an old Upsetters jam played at half-speed with twice the shaman-chant and reverb drenched percussion. Normally we wouldn't trust taking this kind of trip with just anybody, but with wheel and rudder alike in the hands of Magic Lantern co-captain Cameron Stallones, we can sip our yage-of-choice in peace and share the Sun Araw vision as one. Originally issued on Stunned Records as a limited CDR, here it gets the deluxe vinyl treatment.






MENEGUAR- "The In Hour" CD/LP (WOODSIST013) ----> CD=$5ppd / LP=$15ppd

Switching instruments and experimenting with recording techniques,
Meneguar has cooked up a totally unique(and surprising) record. The In
Hour channels the spontaneity and aesthetics of Swell Maps, the pop
hooks of the Zombies, and lyrical collage of Guided By Voices.
Everything was home recorded at their little Xanadu in Brooklyn, Rear House,
home base to the Woodsist label and the changing roster of Meneguar's
alter egos(Woods, Shepherds). Only six months since their last record, The In Hour
represents a serious departure that still holds true to the band's undeniable pop sensibility.


limited edition black vinyl with full color jackets. first 100 direct mailorder copies come with a full color 11 x 17 poster.







VIVIAN GIRLS- "Tell The World" 7" (WOODSIST016) ---->OUT OF STOCK

irresistible mix of shoegaze, punk, and 60's girl-group sounds with beautiful reverb drenched vocals.
features three self recorded tracks of lo-fi goodness.






PINK REASON- "Winona" 7" (WOODSIST014) ----> $7.00ppd- back in stock!

"During a show with hardcore punks Hatefuck, DeBroux and company
traveled to Winona, Minnesota. After a five-hour drive to the town,
wasted locals, angry punks and gnarled three-legged dogs greeted them
by leading them into a commandeered park. Inside the park, DeBroux
found "the ultimate punk rock experience" with townies huffing rubber
glue and mohawk-brandishing kids starting fights with crusties. The
show ended and the locals gave the band three dollars for their
troubles. A few kids asked DeBroux and company to chip in the three
dollars on a keg. Soon, the crowd dispersed and left the band with no
money or place to stay. The band wound up sleeping on an island
between Minnesota and Wisconsin and breaking up soon thereafter. He
wrote the first Pink Reason song, "Winona," about this experience." -
Steve Kobak from Blastitude #25 -3rd press, 300 on blue vinyl








Christian Family Underground
- "For the Depth of Your Union" LP (WOODSIST008)------->$12ppd

Summer 06 Family Underground (DK) recorded with Dave Nuss of NNCK at Black Dirt Studios in the woods of upstate NY. The yield was as characteristically unhinged as one might expect: sweeping electronic sounds backed with wood and bone percussion spirit-conjure. However also harvested was some new and especially tasty crop: sung and spoken song, electric guitar/conga rock, and an odd ghostly sheen coating the entire proceeding. Nuss comments on the session: I remember when we were recording, momentarily leaving the studio and going out into the night and feeling it thicken like a partition separating us from this intense state of clear consciousness we had in the recording, which was like humankinds natural state. And then thinking about Jesper from FU, an adopted Vietnamese living in DK, and how much he resembles Michael Jackson, and realizing that across continents no man can be divided from himself. We had to make this music to provide for us some fantasy of fulfillment that would carry us through the weekend like rejuvenated suns born again climbing to heaven, after being washed in the deepest bluest sea. Jacket by designer Susan Cianciolo and screened inserts by Stellar, NL. FADER-Freak Scene Review







Jana Hunter- "Carrion"- one sided 12" ep limited to 500 ---->$12ppd
***Half of the six songs on Jana Hunters Carrion are unreleased hangers-on from the writing sessions that produced her most recent full-length, Theres No Home, while the other half are alternate renditions of works that appeared on that release. But this is no mere grab bag of remnants; its a real tight product, all around.
Paint A Babe is a throw-back to Hunters earlier material, written and recorded simultaneously on a borrowed four-track recorder. A real sad, longing song. A Goblin, A Goblin took a little more time to create: this strong, sturdy number, replete with violins and creepy harmony, tells the tale of an indignant outcast. You Will Take It and Like It, turns one central, pretty and proud guitar part over and over and over, with others mirroring it, leeching from it, grabbing on like little parasitic danglers. The original version of Theres No Home is here, the track that spawned an entire record title, followed by Sleep (titled, as it was originally, Ooh Uuh), from the recording that ended up on a lullaby compilation. Concluding Carrion is an acoustic re-presentation of the country-minded Oracle, stripped down to one guitar, one melody, and one harmony, as it was originally conceived in its creation as homage. CD on Gnomonsong






NIGHT WOUNDS- "Allergic to Heat" LP- --------> $15ppd


recorded in early 2006 in a downtown LA practice space by the band. 8 songs just shy of 30 minutes, mostly recorded live.
Everything from angular post punk to primitive no wave and free experimentation, rarely covering the same ground twice.
limited to 500 on black vinyl with silk screened covers.
SILTBLOG review here







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COMING SOON


ROYAL BATHS- CD/LP

SUN ARAW- Off Duty 12"/ CD (includes Boat Trip EP)




DISCOGRAPHY


001- RACCOO-OO-OON "Mythos Folkways Vol.1" LP
002- NIGHT WOUNDS- "Allergic to Heat" LP
003- BLUES CONTROL "Puff" LP
004- WOODS "At Rear House" LP (TMU 123)
005- WOODEN WAND
"More From The Mountain" 7"
006- RACCOO-OO-OON - Mythos Folkways Vol. 3 "Divination Night" LP
007- JANA HUNTER "Carrion"- one sided 12" ep
008- CHRISTIAN FAMILY UNDERGROUND- "For the Depth of Your Union" LP
009- THE FOLK SPECTRE- "The Blackest Medicine" LP
010- LOOSERS- "Logic On Its Head" 10" (NNF089)
011-
SIC ALPS- "Strawberry Guillotine" 7"
012- POCAHAUNTED-"Peyote Road" LP
013- MENEGUAR - "The In Hour" CD/LP
014- PINK REASON- "Winona" 7"
015- ROBEDOOR- "Endlessly Blazing" LP
016- VIVIAN GIRLS- "Tell The World" 7"
017- CRYSTAL STILTS- s/t- CD/LP
018- SUN ARAW- "Boat Trip" 12"
019- MAGIC LANTERN- s/t -LP
020- IDLE TIMES- "Get Your Feet Off the Ground" 7"
021- BLANK DOGS- "The Fields" CD/12"
022- WAVVES- s/t- CD/LP
023- PSYCHEDELIC HORSESHIT- "Shitgaze Anthems"-12"
024- KURT VILE- "Constant Hitmaker" LP
025- WOODS- "Songs of Shame" LP
026- THEE OH SEES- "tidal wave" 7"
027- FERGUS & GERONIMO- "Harder Than It's Ever Been" 7"
028- GANGLIANS- s/t-12"
029- REAL ESTATE- "fake blues" 7"
030-
METH TEETH- "Everything Went Wrong"- LP
031- GANGLIANS- "Monster Head Room" CD
032- THE FRESH & ONLYS- "Grey-Eyed Girls" CD/LP
033- THE MAYFAIR SET- "Young One"12"/CD co-release with Captured Tracks
034- REAL ESTATE- S/T- CD/LP
035- THE FRESH & ONLYS- "The Second One to Know" 7"
036- EAT SKULL- "Jerusalem Mall" 7"
037- ART MUSEUMS- "Rough Frame" CD/LP
038- MOON DUO- "Escape" Mini-LP/CD
039- MV&EE- "Home Comfort" LP
040- WOODS-"At Echo Lake" CD/LP/CS
041- WOODS- "I Was Gone" 7"
042- WHITE FENCE- S/T- CD/ Digital
043- V/A- WELCOME HOME/DIGGIN' THE UNIVERSE- LP/Cassette
044- ROYAL BATHS- CD/LP
045- SUN ARAW- Off Duty 12"/ CD (includes Boat Trip EP)
046- EXCEPTER- "Late" 12"
047- PURLING HISS- LP
048- TBA CD/LP
049-
050-